As one of the hardest-working musicians on the scene, Sarah McQuaid was hit hard by the restrictions imposed by Covid-19 lockdown. While many artists have tried to keep the flame alive by live-streaming, Sarah opted instead to crowd-fund an album of live tracks taken from video performances recorded last summer at the Cornish church of St. Buryan. The album will be released later in 2021, but in the meantime it has been supported by a series of singles taken from the album, supported in turn by the video performances of those songs. Martin Stansbury’s sympathetic production/engineering, the lovely medieval venue, and Sarah’s own musicianship more than make up for the absence of a live audience.
The first single was the lovely song ‘The Silence Above Us’ (Shovel And A Spade Records SAASDS2101): though I already knew it from her 2018 album If We Dig Any Deeper It Could Get Dangerous, it’s been revisiting my ears at frequent intervals since. I reviewed it for folking.com here.
‘Charlie’s Gone Home’ (Shovel And A Spade Records SAASDS2102) and ‘The Day Of Wrath, That Day’ (Shovel And A Spade Records SAASDS2103) were both reviewed here.
My review of the next single ‘Sweetness & Pain’ (Shovel And A Spade Records SAASDS2104) was featured here, and a stunning unaccompanied performance it is, too. (The video, not my review.)
Two more singles were announced in April: ‘Time To Love’, a co-write with Irish singer/songwriter Gerry O’Beirne: you can find the video on Sarah’s YouTube channel – go on, you know you want to! The sixth single, a delightful piano/vocal version of Michael Chapman’s ‘Rabbit Hills’ premieres on YouTube on May 14th.
The full album is due for release on October 15th 2021, and there’ll be more singles and videos throughout the year. I can’t wait for the next one. 🙂